Using the input image as the opening frame, a 5-second vertical‑format cinematic shot—single take, no editing. Archangel Michael strides with measured composure along the grand, luminous white marble colonnade of the temple, his piercing blue eyes locked steadily on the camera, his expression solemn, proud, and resolute. His vast white wings slowly unfurl, rising and falling in a gentle, breath‑like rhythm, their fine feathers trembling naturally in the airflow; his deep red cloak and white battle skirt billow backward with each step. His right hand holds a longsword pointed downward, swaying slightly, while his left shields firmly steady; the intricate gold‑and‑red armor gleams with realistic, restrained metallic highlights under the sunlight. The camera adopts a subtly low angle, tracking smoothly backward as the figure advances, creating a soft spatial parallax. Warm, sacred beams of light pierce the columns, dust motes drift lazily through the air, rendered with film‑grade depth of field and authentic physical motion—epic, divine, majestic, hyperrealistic cinematography, at 24fps, in a 9:16 aspect ratio.
Negative prompts: facial drift, identity shift, bodily deformation, extra limbs, incorrect fingers, twisted wings, flickering feathers, shifting armor patterns, weapon duplication, deformed shields, cloak penetrating the background, shaky backgrounds, camera shake, sudden zooms, cartoonish style, plastic‑like skin, excessive glow, text, watermarks.